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The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church de Michael W. Harris
Descripción - Críticas 'In a text that is rich in historical, cultural and musical data and analysis, the discussion of the conflict over music in the 'old line' churches comes across strongly.'David Horn, University of Liverpool, Popular Music, Volume 13, Part 3 - 1994 Reseña del editor Thomas A. Dorsey, also known as `Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. At first these `respectable' Chicago churches rejected this new form, partially because of the unseemly reputation blues performance had, but more because of the excitement that gospel blues produced in the church congregation. A controversy developed between two conflicting visions; one segment idealized an institution that nurtured a distinct African-American religion and culture, the other saw the church as a means by which African Americans would assimilate into American Christianity and the dominant Anglo-American culture. However, by the end of the 1930s the former group prevailed by the power of the music. From that time on, gospel blues became a major force in African-American churches and religion. Contraportada Most observers believe that gospel music has been sung in African American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history reveals. Working through the blues and gospel movement. Harris reconstructs the rise of gospel blues within the context of early twentieth century African American cultural history. After a nervous breakdown and a subsequent religious conversion in 1928. Dorsey began to write gospel songs with blues accompaniments. His introduction of these 'goals' into Chicago's Afro-Baptist churches during the 1930s stirred clashes between recently arrived southern migrants who felt comforted by the new spirituals and old-line members who dismissed the songs as sacrilegious echoes of the slave past. After years of writing and publishing hudnreds of 'songs with a message'-- such as 'Take My Hand', 'Precious Lord', and 'There Will Be Peace in the Valley'-- and training gospel singers such as Mahalia Jackson, Dorsey had earned the title of 'father' of gospel blues by the early 1940s. Delving into the life of the most prominent person in the advent of the gospel song movement. Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped. Biografía del autor Michael W. Harris is Associate Professor of History and African-American World Studies at the University of Iowa.
Detalles del Libro
- Name: The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church
- Autor: Michael W. Harris
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 15 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
[Download] The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church de Michael W. Harris libros ebooks
The Rise of Gospel Blues: The Music of Thomas Andrew ~ The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church. By Michael W. Harris. New York: Oxford University Press, 1992. xxiii + 324 pp. $29.95. - Volume 64 Issue 4 - Lewis V. Baldwin
The rise of gospel blues : the music of Thomas Andrew ~ Get this from a library! The rise of gospel blues : the music of Thomas Andrew Dorsey in the urban church. [Michael W Harris]
The Rise of Gospel Blues: The Music of Thomas Andrew ~ A good place to start investigating this revelatory music is Michael Harris's The Rise of the Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church. Dorsey (1899-1993), the inventor of modern gospel, began playing the piano in small-town Georgia bordellos at the age of 12.
Thomas A. Dorsey - Wikipedia, la enciclopedia libre ~ Thomas Andrew Dorsey (Villa Rica, Georgia, 1 de julio de 1899 - Chicago, 23 de enero de 1993) fue un pianista estadounidense, apodado «El padre de la música gospel».También se lo conoció como «Georgia Tom» en sus primeros años como pianista de blues.. Dorsey fue el director musical de la 'Pilgrim Baptist Church' de Chicago desde 1932 hasta los últimos años de la década de 1970.
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Thomas A. Dorsey - Wikipedia ~ Thomas Andrew Dorsey (July 1, 1899 – January 23, 1993) was an American musician.Dorsey was known as "the father of gospel music" and was at one time so closely associated with the field that songs written in the new style were sometimes known as "dorseys". Dorsey was the music director at Pilgrim Baptist Church in Chicago, Illinois, from 1932 until the late 1970s.
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Thomas A. Dorsey ~ Thomas Andrew Dorsey (1 de julio de 1899, Villa Rica, Georgia - 23 de enero de 1993, Chicago), denominado "El padre de la música gospel", fue además "Georgia Tom", alias por el que fue conocido en sus primeros años como pianista de blues.. Dorsey fue el director musical de la 'Pilgrim Baptist Church' de Chicago desde 1932 hasta los últimos años de la década de 1970.
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